About

Responding to current concerns about the ubiquity of voice assistants, this artistic research focuses on building a series of performative artifacts that aim to challenge AI and ML technologies, and to examine automation through the prism of “ghost work” that constantly support these systems. By allowing AI agents to listen to our most private conversations, we become receptive to this mediated care, while forgetting or ignoring how much these automated interactions have been pre-scripted. While these interactions cultivate a sense of familiarization with the non-human, they also corroborate the impact of Late Capitalism and the Anthropocene. Within these contradictions we see an opportunity to reclaim, examine, and ultimately transcode this data through an interdisciplinary performance project, by developing embodied experiments using a combination of design, data-driven art, cyber crafts, found-object and traditional percussion instruments, spoken word, and movement. Initially conceived as a live performance and installation event, our changed environment during the COVID-19 pandemic inspired us to pivot to the medium of net art.

For more about our process, take a look at our blog at blog.voicesandvoids.net

With:

Sound recording and editing

Cameron Fraser

Web development

Amanda Yeh

Funded by

Mellon Foundation

College of Arts and Sciences - University of Washington

cone moving towards an alexa echo